Ashley Jones

From Michael Corris' "Invisible College," this text is opened with a description of the Dallas Pavilion 2019 project; a collaborative set of posters written or designed by writers, artists, & cultural contributors from across Dallas.

The foreword is penned by Corris, & projects (including the one submitted by Ashley Jones) can be viewed &/or read within the body.

"This is French Room Salon and Culture Jack, two distinctly different series of art events, both gifted to Dallas towards the end of 2018. Although varied in format and feel, both series bring people together in close proximity, where they are subject to new art and ideas on a monthly basis. Salon and Culture Jack offer not only the arts community but a wider assortment of Dallas’s citizenry new ways to engage with art outside of the galleries, museums or art fairs."

- Ashley Jones for Arts + Culture

Kanju Interiors is a purveyor of luxury African decor and interior goods in the Dallas Design District, where it works exclusively with artists and artisan groups from the African continent.
But it also lives a kind of secret life as a gallery, where it occupies an important role in introducing exciting artists such as Sandy McLea, a young South African photographer based in Capetown.
Kanju was the first to showcase McLea's work not only in Dallas, but in the United States.
Kanju owner Meghan...

Vignette Art Fair, 2017, installation view. Courtesy Vignette Art Fair. © Chad Redmon 2017.

Now in its second year, Vignette Art Fair will introduce the city of Dallas and members of a wide international art market to the work of Texas-based women artists. An alternative Dallas art fair taking place April 10-15, with a VIP preview the night of April 10 and a public opening the night of April 13, Vignette makes use of the massive, industrial space of the formerly Smithsonian-affiliated Women’s...

Pictured: Sasha Fishman, Spinewax installation, 2017-18, multimedia installation consisting of video projection, audio, lights, and sculptures; sculptures made of chicken wire, paper mache, resin, steel, plaster, latex, faux fur, yarn, gold chain, silicone, plastic ears, paper pulp. 19 x 12 x 11 ft.
Image courtesy the artist.

Ashley J. on the 2018 DMA Awards to Artists, for Arts + Culture TX.

"Ten Texas artists, all of whom have set themselves apart through their work in sculpture, photography, time-based media, painting, and artist books, have been awarded..."

A Series of Essays for Temporary Art Review

Documentaries aren’t about our lives, emotions, triumphs and tragedies getting wrapped up in a neat little package. Instead they are and always have been a look at who we are in the moment, even if that moment and identity prevails for years to come. Unlike movies, which create a linear experience meant to illustrate intangible thoughts and feelings that arise in life (offering a glimpse at living that we’d never get while in the middle of doing just that,) documentaries provide us with insig...

According to the United Nations Global Initiative to Fight Human Trafficking, sex trafficking is a $32 billion industry, and the numbers show that there are more slaves on our planet now than ever before in human history. Trafficked persons are the slaves of today, and this includes people trafficked for sex, domestic servitude, and labor.
New York based and Texas born artist Molly Gochman has seamlessly fused art and activism to open the conversation about human trafficking. Adapting a theme...

“It’s the triumph of fake fur … because fake fur changed so much and became so great now that you can hardly see a difference.”
—Karl Lagerfeld on his Paris Fashion Week show for Chanel F/W 2010/2011
With a rising trend of consumers accepting, and in some cases even preferring vegan leather or pleather, there’s no question that the concept of sustainability in high fashion is where it’s at for the sartorial set. But how did it happen? Why are the price tags ascribed to crocodile skin bags now...

On Ash Lane sits Ash Studios, a building described by Darryl Ratcliff as “a social sculpture that has had an amazing practical and symbolic meaning in Dallas.” Co-founded by Ratcliff with artist Fred Villanueva in 2012, Ash was named by D Magazine as one of the best galleries in Dallas, as recently as 2016.

Ash has been at the center of a land use issue, one that stems largely from the city...